Jean-Jacques Rousseau devoted an important chapter of his Social Contract to the dictatorship. Carl Schmitt interpreted Rousseau’s chapter as marking the transition from ‘commissarial’ to ‘sovereign dictatorship’. This article argues that Schmitt’s interpretation is historically and conceptually inaccurate. Instead of paving the way for sovereign dictatorship, Rousseau carefully distinguished the dictatorship from the people’s sovereign authority. Taking position in the ‘debate’ between Bodin and Grotius on the relation between dictatorship and sovereignty, he argued that the dictator could provisionally suspend the (...) people’s sovereign authority, but not abolish it. More particularly, the dictator did not possess the power to make generally binding laws, which had to remain the exclusive authority of the popular assembly. However, this did not prevent Rousseau from recognizing the dictatorship as a means for democratic reform. Rousseau thus conceived of the dictatorship as a time-limited and revocable commission to protect the constitution and to provide for a more stable and effective state organization based on the principle of popular sovereignty. (shrink)

As part of current energy transitions in the Global North, households have begun adopting renewable energy technologies, such as heat pumps and solar power systems, in significant numbers. These changes give rise to the following question: how are technology and gender configured when new technologies enter everyday life? Based upon ethnographic fieldwork on interactions between households, technologies, and technicians and interviews with sales technicians, installers, and service mechanics, I demonstrate how both stable and fragile variants of renewable energy technologies are (...) enacted during prepurchase consultations and postpurchase installations, respectively. I employ science and technology studies scholarship, feminist ethics, and repair and maintenance studies—captured through the analytical lens of care—to analyze how technicians mobilize and tinker with gendered affection, knowledge, and action in households to effectuate adoption of renewable energy technologies. I clarify how, in this process, openings are created to configure both hegemonic and heterogeneous gender–technology relations. Finally, I advance discussion beyond gender issues by arguing that acknowledging the role of maintainability and the repair of user–technology relations in current energy transitions opens pathways not only for exploring gender in new and exciting ways in relation to technology but technician–user relationships as well. (shrink)

On 9 December 1930, Walter Benjamin sent a copy of his book The Origin of German Tragic Drama to Carl Schmitt, accompanied by a letter in which he expressed his indebtedness to Schmitt: "You will very quickly recognize how much my book is indebted to you for its presentation of the doctrine of sovereignty in the seventeenth century. Perhaps I may say, in addition, that I have also derived from your later works, especially Die Diktatur, a confirmation of my modes (...) of research in the philosophy of art from yours in the philosophy of the state. If the reading of my book allows this feeling to emerge in an intelligible fashion, then the purpose of my sending it to you will be achieved" (qtd. in Weber 1992, 5). As .. (shrink)

ABSTRACT This article seeks to explain why the Roman dictatorship, which had served as a positive model of constitutional emergency government until the French Revolution, acquired a negative meaning during the Revolution itself. Both Montesquieu and Rousseau regarded the dictatorship as a legitimate institution, necessary to protect the republic in times of crisis. For the French revolutionaries, the word ‘dictatorship’ acquired negative connotations: it became a rhetorical tool for accusing their political opponents of authoritarian rule. This article argues that Carl (...) Schmitt’s distinction between commissarial and sovereign dictatorship is unhelpful for understanding why the dictatorship was rejected by the French revolutionaries. Instead, it shows that it was the early identification with Montesquieu’s aristocratic dictatorship, which caused the delegates of the National Assembly to reject it as a threat to popular sovereignty. The exception was Marat, who proposed to establish a popular dictatorship à la Rousseau to purge the state from counterrevolutionary forces. However, Marat’s proposal found little support with his fellow-Jacobins, as it allowed the Girondins to accuse them of a conspiracy against the Convention. This caused the Jacobins to reject the dictatorship altogether and to propose alternative models of emergency government. (shrink)

The spreading phenomenon of Euroscepticism is manifested in critical practices in discourse that oppose European integration. This paper explores Euroscepticism as an element of discourse, which cannot only be measured as party positions or individual attitudes. Based on this understanding, our argument is twofold. Firstly, Euroscepticism relates to the unsettled and principally contested character of the European Union (EU) as a political entity: its basic purpose and rationale, its institutional design and its future trajectory. It correlates with pro-European discourse and (...) the attempts to promote the (democratic) legitimacy of the EU. Secondly, we argue that Euroscepticism unfolds primarily through mass media. As such, it is given public expression through general news values, drama and narratives that are targeted to draw the attention of the wider audience. Understanding this responsive and public nature of Euroscepticism leads us, in the end, to a comprehensive typology of six forms of polity evaluation of the EU. (shrink)

The aim of the present research was twofold. First, we examined the effects of perceived organizational support on workplace conflict (i.e., relationship conflict and task conflict). Second, we identified one mechanism explaining these relationships, namely failure-related trust. Using a sample of 263 teachers from Belgium, the results of Study 1 indicated that perceived organizational support is negatively related to relationship conflict and is also, unexpectedly, negatively related to task conflict. Furthermore, using a sample of 477 Belgian employees, Study 2 replicated (...) these results and further demonstrated that failure-related trust mediates the negative relationship between perceived organizational support and both types of workplace conflict. Theoretical and practical insights of this research are discussed. (shrink)

How do the pictures Wittgenstein and his relatives took during his life relate to his philosophical work? The exhibition at the Leopold Museum in Vienna in 2021 demonstrated a complex network of resemblances, overlaps, and cross-references between Wittgenstein’s way of working and the pictures he collected. In this essay, the network is used as an example to argue that a combination of philosophy and artistic sensibility might be a fruitful enrichment for a philosophical practise.

According to Marin Cureau de La Chambre—steering a middleway between the Aristotelian and the Cartesian conception of the soul—everything that lives cognizes and everything that cognizes is alive. Cureau sticks with the general tripart distinction of vegetative, sensitive, and intellectual soul. Each part of the soul has its own cognition. Cognition is the way in which living beings regulate bodily equilibirum and environmental navigation. This regulative activity is gouverned by acquired or by innate images. Natural cognition (or instinct) is cognition (...) by innate images only. Cureau develops a highly originel theory of natural (or 'specialized') instinct. His theory attempts to explain five features of instinct (innateness, specialization, species-specifitiy, coerciveness, teleological nature). According to my interpretation, Cureau proposes a species of what is called a 'teleosemantic theory' of innate cognition. (shrink)

In this book, authors from a variety of disciplines examine how the interpretative disciplines deal with the lack or loss of certainty for their signs and texts.

SummaryThe prevalent view that a question expressed by the interrogative title must be absurd and in no need of a reasoned response is rejected. Popper's contention that commitment to rationality has only an irrational basis is criticised. A preliminary attempt is made to resolve some genuine perplexities about the justification of rationality by invoking the notion of a “quasi‐rationality” shared by human beings and other animals. Ah appendix on the metaphor of support is attached.RésuméĽauteur rejette ľopinion prédominate selon laquelle la (...) question contenue dans ce titre doit être absurde et ne mérite de ce fait aucune réponse raisonnée . Il critique ľaffimation de Popper que ľengagement en faveur de la rationalité ait une base uniquement irrationnelle. Il tente un premier essai pour résoudre quelques perplexités quant à la justification de la rationalité en introduisant la notion de quasi‐rationalité que partagent les êtres humains et autres animaux. Suit un appendice sur la métaphore anglaise support.ZusammenfassungDer Verfasser verwirft die überwiegende Auffassung, dass die im Titel aufgeworfene Frage absurd sein müsse und keiner rationalen Antwort zugänglich sei . Er kritisiert auch Poppers Behauptung, dass Rationalität nur irrational begründbar sei. Es wird versucht, einige echte Verlegenheitsmomente bei der Rechtfertigung von Rationalität zu überwinden, indem der von Menschen und Tieren geteilte Begriff einer Quasirationalität eingeführt wird. In einem Appendix wird die Metapher der Stützung erörtert. (shrink)

In his classic Mimesis: The Representation of Reality in Western Literature, Erich Auerbach famously cites the opening pages of Honoré de Balzac’s Père Goriot as emblematic of modern realism. With their minute description of the boardinghouse, where much of the novel’s action takes place, these pages emphasize physical setting, Auerbach argues, in a way new to Western literature. Yet Balzac’s descriptions are driven by something more than an ambition to represent “contemporary life” in scrupulous detail. In Auerbach’s view, the characteristic (...) element of Balzac’s realism is an obsession with the reciprocal action of characters and milieu, a scientific or philosophical principle according to which the quality... (shrink)

Plato’s dialogues, most notably the Phaedrus and the Symposium, mark the beginning of 2,400 years of written philosophical contemplations on love. Many lovers have loved since, and many thinkers have thought and struggled to understand. Who has never asked themselves the question: What is love? The various discussions since range from Aristotle to an abundance of contemporary philosophy and fiction on the topic. Alain Badiou’s In Praise of Love, Alain de Botton’s Essays in Love, and Byung Chul Han’s Die Agonie (...) des Eros, all published in the past ten years, refer to Plato’s account, so it is clear that Plato’s treatment of love remains relevant. Naturally, the conception has also dramatically changed over this long period of time. The non-sexual, purely intellectual relationship that the modern English speaker understands as ‘Platonic love’ is rather distinct from the account we get in Plato’s own works, which are predominantly focused on a striving for perfection through beauty. Modern everyday understandings of personal love, ranging from motherly to romantic love, are something else altogether. (shrink)

Hume seems to have discarded with final causes and teleology. However, his invocation of a pre-established harmony between the course of nature and the succession of our ideas suggests otherwise. This paper takes Hume’s general strategy of shifting to the external perspective into account, and argues that the seemingly internal property of force and vivacity are, in fact, functional-teleological properties. Force and vivacity bears many explanatory burdens: It explains the difference between imagination and memory, between conception and belief, and it (...) establishes causal necessity. What kind of property is this supposed to be? We can answer this question by taking into account Hume’s explanation of the way in which this very property is communicated in the cases of ideas of memory and belief, and of the function it performs in these cases. It will be argued that force and vivacity is not an intrinsic, phenomenal property of ideas. It is a relational and historical property. A major objective of the paper is the application of this interpretation from the case of ideas to the case of impression. What kind of history could transfer force and vivacity to impressions? Answer: natural history. By a careful examination of passages concerning innate capacities, passions, and animal instincts, we can make sense of the tenet that impressions have force and vivacity because of our natural history. It will be suggested that Hume’s philosophy of mind is fit to integrate Darwinian Design as an explanatory corner-stone. Hume, so scheint, ist ein scharfer Kritiker von Finalursachen und Teleologie. Seine häufig als ironisch missverstandene Berufung auf eine Art „prästabilierter Harmonie“ zwischen Naturverläufen und Ideenabfolgen verweist jedoch auf eine andere Lesart. Der folgende Essay behauptet, indem er Humes explanatorische Strategie betont, etwa im Falle seiner berühmten Lösung der skeptischen Zweifele zur Kausalität zu einer externen Perspektive zu wechseln, dass es sich bei der scheinbar geistinternen Eigenschaft „Kraft und Lebendigkeit“ tatsächlich um eine teleologisch- historische Eigenschaft handelt. Kraft und Lebendigkeit leisten in Humes Philosophie des Geistes eine große Erklärungsarbeit: Sie erklären den Unterscheid zwischen Vorstellung und Erinnerung, zwischen Vorstellung und Überzeugung, und sie stellen die wesentliche Zutat der kausalen Notwendigkeit dar. Doch um welche Art Eigenschaft handelt es sich? Diese Frage kannmit Blick auf Humes Ausführung darüber beantwortet werden, wie diese Eigenschaft auf Ideen der Erinnerung und auf Überzeugungsideen übertragen wird, und v.a. mit Blick auf die Funktion, die diese Eigenschaft übernimmt. Es soll gezeigt werden, dass es sich bei Kraft und Lebendigkeit um keine intrinsische, phänomenale Eigenschaft von Ideen handelt, sondern um eine relationale, historische Eigenschaft. Ein wichtiges Ziel des Essays besteht darin, diese Deutung von Ideen auf Eindrücke zu übertragen. Inwiefern kann es sich bei der Kraft und Lebendigkeit von Eindrücken umeine relationale und historische Eigenschaft handeln? Die Antwort findet sich in der Naturgeschichte, wie mit Verweis auf Humes Ausführungen zu angeborenen Fähigkeiten, Leidenschaften und tierlichen Instinkten gezeigt werden kann. Die Stoßrichtung des Essays besagt, dass Humes Philosophie des Geistes durchaus mit einer Darwinschen Auffassung des Geistes zusammengeführt werden kann. (shrink)

ZusammenfassungSeit einigen Jahren erscheinen in deutschsprachigen Medien Beiträge, die einen neuen Trend in der Versorgung von langzeitpflegebedürftigen Menschen beschreiben: die Migration in ausländische Pflegeheime, insbesondere nach Thailand oder Ost-Europa. Diese Art der Migration wird kontrovers aufgenommen. Einige Medienbeiträge beschreiben diese Praxis u. a. als „Greisen-Export“, „gerontologischen Kolonialismus“ oder „inhumane Deportation“. Die Begriffe weisen darauf hin, dass diese Migration aus sogenannten High Income Countries in Low and Middle Income Countries aus ethischer Sicht problematisch sein könnte. Allerdings gibt es bislang keine wahrnehmbare (...) wissenschaftliche ethische Auseinandersetzung mit dem Phänomen. In diesem Beitrag diagnostizieren wir, dass es sich bei der Migration Langzeit-Pflegebedürftiger tatsächlich um ein ethisch relevantes Problem handelt, und wir ordnen die von uns identifizierten ethisch relevanten Bereiche unterschiedlichen Ebenen zu: einer individual-, einer gesellschafts-, und einer global-ethischen Ebene. Auf der individualethischen Ebene diskutieren wir Fragen der Autonomie, der Verwandtschaftsbeziehungen, der Rolle von Kultur und Traditionen und der „guten Pflege“. Auf der gesellschaftsethischen Ebene diskutieren wir strukturelle Herausforderungen der Langzeitpflege und Fragen der sozialen Gerechtigkeit. Auf der globalethischen Ebene verbinden wir unser Thema mit der ethischen Diskussion des Medizintourismus und des Brain Drains und mit Fragen globaler Gerechtigkeit. Um eine weiterführende normative Analyse vornehmen zu können, sind weitere empirische Daten zu dem Phänomen notwendig. (shrink)

It seems to be self-evident that through perception we gain access to the material world. That visual perception takes an important role seems self-evident as well. But what exactly do we see? The objects themselves or just their perceptible properties? How do we manage to see something at all? Are we capable of seeing solely through optical and physiological processes or does viewing something asks for presupposed terms in order to help us to see something as something? These questions, currently (...) discussed at great length within the framework of cognitive and epistemological theory, were already cause for intensive debate in the early modern times. In many aspects, those discussions in the 17th and 18th century laid the groundwork for today’s theories: on one hand, they identified the problems with great clarity and on the other, they provided strategies for possible solutions which are still of value today. This volume will provide new access to those debates (from Descartes to Reid) and will present these debates to an audience interested in philosophical questions. The book shows that the early modern times is not just a respectable museum in the history of philosophy, but on the contrary, a very productive and stimulating philosophical epoch which invites further discussion. (shrink)

Against Kant, Eckart Förster claims that Goethe’s methodology of intuitive understanding is a real possibility for us. Firstly, this essay shows that this methodology has to be strictly distinguished from the questionable use of intuitions in contemporary analytic philosophy; secondly, strong parallels between Goethe’s intuitive understanding and Bergson’s intuition are put forward. Both use intuitions as a tool to find essence concepts for natural kinds. Moreover, the parallels help naturalists to detach Förster’s important insight from the idealistic context.

This paper explores the notion of hospitality and faith in Derrida and Kierkegaard. The aim is to trace the topological core of existence in relation to an ongoing debate in contemporary continental philosophy of religion about khôra. The paper shows how khôral traces are at work in Kierkegaard’s thinking in relation to the topological proximity of love. The claim is, that Kierkegaard emphasizes, not a hostility but a vulnerability of what I coin khôral love – the vibrating space between the (...) anonymous and the amorous, call and response. The unknown X of the khôral becomes the topos of existence – the “stepping out”, the “you are here (X)”. A “you” called forth by the commandment of love or the visitation of the stranger. (shrink)

It seems to be self-evident that through perception we gain access to the material world. That visual perception takes an important role seems self-evident as well. But what exactly do we see? The objects themselves or just their perceptible properties? How do we manage to see something at all? Are we capable of seeing solely through optical and physiological processes or does viewing something asks for presupposed terms in order to help us to see something as something? These questions, currently (...) discussed at great length within the framework of cognitive and epistemological theory, were already cause for intensive debate in the early modern times. In many aspects, those discussions in the 17th and 18th century laid the groundwork for today’s theories: on one hand, they identified the problems with great clarity and on the other, they provided strategies for possible solutions which are still of value today. This volume will provide new access to those debates (from Descartes to Reid) and will present these debates to an audience interested in philosophical questions. The book shows that the early modern times is not just a respectable museum in the history of philosophy, but on the contrary, a very productive and stimulating philosophical epoch which invites further discussion. (shrink)

In this paper I shall be concerned with the new concept of existence that is emerging from recent phenomenology and existential philosophy. I shall begin by raising certain logical questions about this concept of existence. What kind of a concept is it? Does it possess any peculiar features which distinguish it from other concepts in normal use? It refers to something, our own existence, which we experience immediately or directly. Hence, in the second place, I shall examine the relation of (...) this concept to experience, and the method by which it may be clarified and refined. (shrink)

Definition of the problemThe upcoming reforms according to the specifications of the Master Plan 2020 provide for a competency-oriented restructuring of medical studies. This article aims to develop perspectives on how teaching ethics in medical studies can be more strongly oriented at building competencies. In this way, it pursues the goal of making the concept of competency more tangible for medical ethics and usable for the design of medical ethics education.ArgumentsWe understand competencies as dispositions for actions that enable problem solving. (...) By transferring the concept of moral intelligence to the moral actions of physicians in patient care, we specify five ethical–moral competencies that must be present for morally appropriate, ethically reflected actions by future physicians: (1) the ability to form a professional moral compass, (2) the willingness to align oneself with professional ethical norms and values, (3) the ability to perceive moral dimensions of medical action, (4) the ability to make moral judgments based on ethical considerations about the right action, and (5) the willingness to realize ethically justified action. We illustrate their importance for teaching medical ethics using the example of teaching clinical ethics in medical studies.ConclusionOur conceptualization of moral–ethical competencies can be used to design concrete courses in a competency-oriented way. Our approach could be applied analogously to other areas of teaching ethics in health care. (shrink)

The most alive is the wildest (Henry David Thoreau, Walking)Simply put, rewilding seeks to foster the wildness of an area or to return it to a previous state of wilderness1. Although there is no co...

This paper proposes different approaches to design, referring to gambiarra practices and artifacts and their relation to complexity theory, evoking critical theorists that take undecidability into account in order to link gambiarra to operations that breed complexity and responsibility. The word gambiarra comes from Brazilian slang and describes an intervention or artifact meant to provide a provisory solution to an unexpected event or crisis. This kind of alternative design differs radically from conventional design because it does not come from formally (...) trained, engineer-minded, projects. Instead, it lacks control, stability and durability. As it offers no permanent solution, it opens room for further accidents and is messy, especially if compared to a conservative model for creation that praises human predominance, soundness and efficiency. Therefore, gambiarra often has negative connotations that this analysis aims to challenge, by relating it to principles of complexity theory. Complexity theory is a transdisciplinary field for research aimed at the organization of living systems, with a vast understanding of networks and what life and govern are. It gathers insights from different disciplines to explore the interconnectivity between individuals, their systems and environment. It unveils how ambivalent information/noise relationships are fundamental for the increase of diversity in a system. It also displays the intelligent dynamics resulting from seemingly insignificant neighborhood relations that collectively make it possible to adapt and continuously change structures. With that in mind, the “deficient” aspect of gambiarra becomes more valuable, as it hints at a potential to generate new information and structures beyond entropic models that perpetuate the same logics across time. Michel Serres’s information theory presented in the book The Parasite is brought up in comparison to gambiarra, in order to explore the potential of interdependent ambiguous relationships that may not fit in dominant forms of discourse. Concomitantly, Vilém Flusser’s notion of responsibility reinforces the argument that a fabric of dynamic differences can emerge out of mutual engagement and indeterminacy. Underlying, this paper concerns with drafting ecological discourses and practices that can embrace contradictions and the plurality of worlds, noticing complex phenomena that have been pushed to the margins, while also decentralizing from hegemonic models. It questions the predominance of the prevailing design paradigm in the search for non-eurocentric and non-anthropocentric human-environment relationships and forms of provision of human needs. (shrink)

The rise of the idea of the Anthropocene is promoting multiple reflections on its meaning. As we consider entering this new geological epoch, we realize the pervasiveness of humankind’s deconstruction and reconstruction of the Earth, in both geophysical and discursive terms. As the body of the Earth is marked and reshaped, so is its idea. From a hostile territory to be subjugated and exploited through sovereign commands, the Earth is now reframed as a vulnerable domain in need of protection. The (...) mode of sovereignty, which has accompanied human and legal history and practice during modernity and its project of mastery, is no longer useful. Humanity’s control of the Earth is being reimagined and reconfigured along biopolitical coordinates of thought and action. Biopolitics shifts the focus of power, changes its modalities of interventions, and rearticulates its legitimacy on the idea of taking responsibility for the Earth, for nature. A biopolitical re-orientation of law captures the fundamental aim of caring for nature, of fostering its vital possibilities and of enhancing its productive potential. Yet, biopolitics engulfs nature in its entirety under its framework of control, where protection and subjugation, vulnerability and productivity, life and death are constantly entangled in a reciprocal and inevitable relation of indistinguishability. Sovereignty becomes thus a key modality of biopolitical intervention, when nature is recalcitrant, wild, spontaneous, unpredictable, violent, dangerous. Biopolitics, thus, remains caught in an undecidable dilemma, where in order to protect the Earth, it must subjugate it; to save it, it must condemn it. In this respect, biopolitics remains utterly modern, or as argued by Roberto Esposito, modernity has always been biopolitical, insofar as modernity has emerged as a framework for the protection of life against life’s own excesses. But how can we escape the biopolitical reframing and enframing of the Earth and its total subsumption under its matrix of control? How can we rethink the encounter between law and nature without remaining entangled in the aporetic dilemma of biopolitics? An aesthetics of wonder may offer a way. (shrink)

Oases have served as sacred landscapes and sources of ritual plants in arid regions of the Old and New Worlds. We evaluate the Jesuit mission oases of the Baja California peninsula for their role in agrobiodiversity persistence, and extend theories of sacred landscapes and biodiversity conservation to agricultural species and practices. Jesuit missionaries on the peninsula introduced a suite of crops species and agricultural and water management systems that persist in the oases and have become an integral part of the (...) cultural and religious identity of the peninsula. The sacred landscapes of the oases are defined by elements of the Jesuit mission systems, such as water capture systems and irrigation canals, stone field borders and terraces, field gardens or huertas, groves of olive trees and date palms, and multi-tiered agroecosystems. Sacred practices—including pilgrimages, religious rites, and Catholic-based community celebrations—depend on the integrated “landscapes” of the oases and on the ritual use of wild and cultivated oasis plant species. We propose that some, though not all, of the peninsula oases may be considered as sacred landscapes responsible for maintaining heritage crop species, biodiversity, and traditional farming and foodways practices. (shrink)

This article seeks to explain how it was possible that, until the first century BC, the Roman dictatorship was never abused and turned against the constitution itself. The traditional explanation is that, contrary to its first century imitations, the dictatorship was subject to formal restrictions, such as the six months' tenure, which were strictly applied. By contrast, this article suggests that informal constraints on the dictator's powers, such as moral and religious norms, were as important as formal constraints. It shows, (...) more particularly, how the fides, or the requirement of trust, was essential for preventing an abuse of dictatorial powers. (shrink)

In the first chapter of the Origin of species and in two chapters of the Variation of animals and plants under domestication, Darwin discusses the origin of domestic pigeons, claiming that all the known breeds were produced from a single species: Columba livia, the rock pigeon. The detailed defense of this point is of high relevance in Darwin’s argumentation strategy, since the differences between the several domestic breeds is so large that, if they were found in the wild, they could (...) be classified as different species or genera. If man was able to produce such large differences, it becomes plausible that nature can produce even larger differences, and therefore the process of natural selection becomes acceptable. Darwin emphasizes the enormous differences between the several domestic breeds (that may have dissimilar cranial structures and a varying number of vertebrae), and at the same time he attempts to show that there are connections and transitions between the extreme types, arguing for their common origin. One of the several interesting parts of his argument is an experiment of crossing between widely different breeds, which led him to obtain pigeons similar to the wild species. The detailed analysis of Darwin’s study of pigeons shows the extreme care he took in his attempt to provide strong arguments for his theory. RESUMO: No primeiro capítulo do Origin of species, e em dois capítulos do Variation of animals and plants under domestication, Darwin discute a origem dos pombos domésticos, defendendo que todas as raças conhecidas provêm de uma única espécie: Columba livia, o pombo de rocha. A defesa detalhada desse ponto é de grande importância na estratégia argumentativa de Darwin, pois as diferenças entre as várias raças de pombos são tão grandes que, se fossem encontradas em estado selvagem, poderiam ser classificadas como espécies ou gêneros diferentes. Se o homem foi capaz de produzir mudanças tão grandes como essas, torna-se plausível que a natureza possa produzir diferenças ainda maiores, e assim o processo de seleção natural se torna aceitável. Darwin enfatiza as grandes diferenças entre as raças de pombos (que chegam a possuir, por exemplo, diferentes estruturas cranianas e diferentes números de vértebras), e ao mesmo tempo procura mostrar a existência de nuances e transições entre os tipos extremos, para defender a origem comum. Um dos aspectos interessantes de sua argumentação é um experimento de cruzamento entre raças bem diferentes, através da qual obtém pombos semelhantes à espécie selvagem. A análise detalhada desse estudo de Darwin mostra o extremo cuidado que ele tomava para tentar proporcionar fortes argumentos a favor de sua teoria. (shrink)

in this article, we experience the exercise of a screen ethnocartography in agency with the film Beasts of the southern wild by the director Benh Zeitlin. We tested a film experimentation that led to a renewed writing ways of life. We bet on cinema and childhood as possibilities for creating cracks and a stutter of language for the creation of new worlds and ways of living. In cinema images less as a representation, and more as art that proposes incompleteness, fissure, (...) a hole in appearances. In childhood as an exercise of differentiation and resistance to dominant narratives in a given context. In childhood as a limiting experience of/in language, tirelessly exposing the human condition in front of the world. Thus, accompanying the main character of the plot, little Hushpuppy — a six-year-old resident of the “Charles Doucet Island”, experienced as “the Bathtub” —, we are shaken by the forms of life there, considered bestial and not recognized by city humans. Hushpuppy, his father and friends resist attempts to destroy their existence by the forms of the state that try to domesticate them, imbued with the logic that primitives must come to civilization, just as children must become adults. (shrink)

continent. 2.2 (2012): 155–158 Michel Serres. Biogea . Trans. Randolph Burks. Minneapolis: Univocal Publishing. 2012. 200 pp. | ISBN 9781937561086 | $22.95 Conveying to potential readers the significance of a book puts me at risk of glad handing. It’s not in my interest to laud the undeserving, especially on the pages of this journal. This is not a sales pitch, but rather an affirmation of a necessary work on very troubled terms: human, earth, nature, and the problematic world we made. (...) It is this world that aspirates the silence (so to speak), and therefore the subject which, along with the development of the “made world” exports the excess augmentation of the cosmically missing, this silence of the natural, et cetera. Had we learned from Locke that lesson of “labor,” to consume what we need… but perhaps we need more than what matters? Serres’ Biogea has several functions on this manner, if it is indeed a book to be consumed. First, readers searching for novelistic entertainment have a place to dwell. Biogea deserves a place in your back pocket; biographical generosity and poetic fluidity should satisfy most textual fetishes. For lay philosophers who want to refresh their acumen, Biogea deserves a place on the book shelf, one already reads a sorely needed postmodern tune-up here. Serres’ style is clearly French; he leaves few cheese crumbs on his words, rather preciseness and breathing in the work give way to a sweeping manner that breaks the narrative line of sight. A circular narrative and anachronistic fragmentation of terms allows an abyssal atmosphere to swell, if only to pump into the book the externality of its broader text. Biogea aspires to a higher standard and the book, at times, is thinking this negentropic problem too. Univocal, the publisher, has crafted a book appropriate for the hands to hold and the translations are an achievement of an otherwise difficult writer to translate. Terms are the conditions of a broader text. It is important to note that Serres’ content is as much a thinking of terminal ports. There is a regard for the transportation technology of the written word. For me, this is the mark of genius, a craftiness that tells of a book device that I may trust. Serres is an accomplished thinker and a necessary voice to check the putative trendiness of anti-postmodernist and market-driven theory of endless cultural liquidation. Offering interventions on subjectivity as an open system we are given a chance to affirm the human, not merely to discard it, but to engage its poetic image emotion, the calibratory silent sense of the analogic world; the terms on which we base our efforts. 1 The human is the center of its own negation, constantly mediating it. Something deeper at stake appears in the work then, and it is quite obvious from the onset. Certainly, a book is an intensification of possible text and those who brought this actual book into existence have captured a rarity in regards to the subject matter and artistic accomplishment. I mentioned terms as conditions, so let us understand Biogea as bio-yea, a yes to bios . An affirmation of living and accepting presence for all of its defiance of images, words, and things temporal. Therefore Serres’ existence and its existants plays parts; out of linearity and still like a porous bone pumping blood it manufactures into the fleshy life it becomes. Starting from a man named silence chaos emerges, or the man “Old Taciturn” takes up a journey anticipating a great flood. In other words, a development akin to the one in Genesis. In dealing with this ancestral occupation, fusing Genesis with contemporary philosophical terms, Serres initiates this anachronistic fragmentation under the forming subjectivity of his own autobiography. This mutation in the open system is precisely one of Serres’ terms. There an abyss is at work, stated, but also measured by heels on the ground—the abyss dispatching earthen tensions, that which plays our tunes, that which we abide by and recognize in volcanoes, rivers, oceans, earthquakes and weaponry in the battles of the world. Set in later stages of the book, such tensions are harnessed through scientific principles in an attempt to unify the terms of natural force if only to terminate the world. Thus the elevation of the earth into the world is clearly set forth. Here already, and few pages in, a resonance is set forth under appellations such as the river Garonne, a subjectivity as much as it is inhuman, the river is the inhuman that makes us human. I get the sense that Serres is taking up a challenge issued by Wallace Stevens; namely, that the great poems of heaven and hell have been written, but that only the poem of the earth has resisted composition. 2 On this level we cannot avoid the killing factor of silence, given that our cognition blocks its pure, radical obliteration. Thus a silence of attunement to the earth is in a novel dialectic of the rithmic and rhythm. A technological world, a triumph of termination is set forth. If a text imposes its will given the reader who authorizes it, it is made to convey or convect a presupposition to a reader or its inhabitant(s). Text is therefore both, in-content, contenting, contentedness, and in reading it, a way to navigate self-destruction (dis-content). Here then would one note that the “inhuman” reveals itself, “an aperiodic rhythm of lovers and beloved…the sea as our friend…but as our enemy…maternal vivifying sea.” The sea is an open book, or vaginal birth canal, where the engagement of text comes forth: “…woman sea, open vulva.” One sees like the sea, but only after it, when the uninhabitable truth of inhabiting it switches the polarity of the sailors soul: “I was seeing like the sea” (9-11). In other words, we are invited to embrace the nonsense of the visible. At this point I am taken to Jean-François Lyotard’s work The Inhuman , specifically the first entry on negentropy that would be congruent with Serres’ thematic. 3 The human being exports, deports, or transplants its relation through text, through the system— and this is its sense or relation to silence, to music. Unaware of Serres’ proximity to this work, the concept of gender interrelation as regards a solar catastrophe runs clear. It would be, on this basis, that Serres references his peers, the other texts that, as mentioned above, are discarded in philosophy today. For students of philosophy what we have here is perhaps a gift, a needed project. If silence and death are at work, there is a political valence to deal with, and here, much like the domain of the text and the dominion of the reader, we confront the world of natural, fluid violence. The anti-postmodernist critique is in part based on a weak idea that the loss of ideology, of a world vision, motivates the “correlationist” project. 4 Serres seems to offer another way to view this when he notes that whereas persons “sometimes kill,” it is clearly “the collective” that “always kills” (17). What is the collective today, if not an organizing function we never see yet acts in its favor in the name of truth? One feels a sense of enigma here, if only to link to what Stevens remarked of communism as a “grubby faith,” providing this applies for capitalism as well, namely any ideology of progress overly interested in absolutes. Here we get the sense that the inhuman, silence, this type of killing, always killing, could not be matched by human-made, political dynamos. Or that if it comes to an equilibrium, a catastrophe is never too far from us to read with our heels. We are left to note that the forces of nature presuppose and permeate political systems, the more these systems obtain force, the more the system takes upon itself the proper name of nature that motivates its dissemination, albeit falsely. This note, that in an age of ecocide and technological captivity (sustainability and transparency) political regimes won’t grow our soul-learning ears any larger than our tongues, stands clear to us. The promise of technological desubjectification is here pushed aside. Regarding politics, Serres illustrates this fact: Where did this corpse come from? Who was it? Who killed it? I don’t know. I won’t try to find out. I refuse to get vengeance for it. And I only see Garonne. For our victims, today, are the rivers, too. Their waters have irrigated my life, enchanted my thought, invigorated my body; I’ve known them to be threatening, untamable, as dangerous as the sea when it rages. Yes, murderous. They decided to control their courses; dams, sometimes senseless, destroying sites and valleys, reduced entire populations to servile displacements; programs for the irrigation of thirsty farmland, often beneficial of course, completed their drying up.(22) Serres enters into his idea concerning the captivity of language from the natural into a world system: For thousands of years, we have been licking things with our tongues, covering and daubing them so as to appropriate things for ourselves. If language boils down to a convention, this convention took place between the speakers without consulting the thing named, become as a result the property of those who covered it in this way with their drawn or voiced productions. Malfeasance analyzes these acts of appropriation. Thus every inert object, every living thing as well, sleeps under the covers of signs, a little in the way that, today, a thousand posters shouting messages and ugly riots of color drown, with their filthy flood, the landscapes, or better, exclude them from perception because the meaning, almost nil, of this false language and these base images forms an irresistible source of attraction to our neurons and eyes. This appropriation covers the world’s beauty with ugliness. (38-39) Technological concealment coming to bear, we begin to get a sense of another commentary on the condition of sensing, driving home the necessity of a text dealing with such subject matter to be what its terms insist. Thus toward new openings: The new opening. As low beneath our feet as you like, the Biogea opens us to another space, high enough for us to be able to acquire a wisdom there, that of redeveloping this same place differently from our fathers, this place that’s still politically cut up by old hatreds, beneath the flood of tears and blood that we call history. Without this soft place, spiritually very old, but newly conceived in this way, without the juridical construction of a common good, opposed to our filthy ownership, I don’t see how our planet, hard, will survive. Hardness that depends on a softness, material belonging that depends on this temporary rented location (51). Serres enters into a summit on the content and the structure of his work. Archimedes is brought in with the concept of three volcanoes. Meaning fire, but as well earth, water, air. For it was Archimedes’ war machines that sought to lift the earth, thus bringing in the question of principles of science: “can a principle be invented while controlling its consequences?” (66-7). May the earth be put in a sentence, terminated by terminology, appellations, gone wild? By means of these element-dominating laws, this old physicist began to tear nature away from the ancient myths; by a strange return, today we’re plunging our successes back into the anxieties and terrors from which that ancient physics was born. Yes, our new history of science and technology is plunging, today, as though in a loop, into the fundamental human myths from which Empedocles’ first laws came. A major progression and a regression on the nether side of the origins. Consequently, the contemporary time requires that we try to return to that unity in which the principles of hate and love are at the same time human, living, inert and global. We will never attain a deontology of our knowledge and actions without thinking the subjective, the objective, the collective, and the cognitive all together simultaneously. Here, hate and love are the result of these four components.(71) Working then on the concept of fire-starting mirrors to the atomic annihilation of the Second War, Serres works into the subjectivity in question on the matter of rhythm—say rithmic— precisely at that point: Knowledge is changing today. The all-political is dying; the monarchy of the sciences said to be hard is coming to a close. The science of the things of the world will have to communicate just as much as the things of the world do, which do it much better than humans do, who don’t always want to do it. Let’s celebrate two changes this morning. The first one strikes a new blow to our narcissism. No, knowledge and the world don’t resemble our analytical enjoyments of refined cutting up, of endless debates and of exclusions full of hate. They, on the contrary, form a bloc and a sum, alliance and alloys. Uniting the fields of knowledge among themselves the way the things are connected among themselves, the second newness puts into place sets united by interlacing, webs and simplexes that combine with the things of the world, themselves combined, the combined knowledge that understands them.(130-1) Biogea closes on its opening flood thematic, approaching the initial telos of Genesis. Here the trees are brought into a position with atmosphere, the opaque abyssal reservoir, the tomb of the sun, sea in the polarity of the earthen heaven and hell. The poem of the earth then is silent but deadly, indeed, as funny as that phrase is, mainly a tomb gas. The meaning of the living and the non-meaning of things converge in the muteness of the world; this meaning and non-meaning plunge there and come out, the ultimate eddy. Mundus patet: through a fissure, through an opening, a fault, a cleft come noises, calls as small as these apertures. I’m listening, attentive, I’m translating, I’m advancing in the scaled-down meaning and science. Mundus patet: should the world open greatly, it will launch me into its silence. The totality remains silent. Knowledge expanded in elation. White origin of meaning, fountain of joy. (198) Final Remarks One test of a review is the long term trajectory the referee thinks the book will have. I see Serres’ text lending greatly into the vision of Biogea . In fact, in the vision of the novel inquiries of Stephen Jay Gould’s work there is something to be thought on the level of the individual and the species; namely, that humanity and its uniqueness is in its deferral, its thinking and naming, a thinking surrounded by silence that filters into everything, that pulls us through the world, the kinetic pulse we recognize, and all of that we cleave away in the base philosophical maxim of difference itself. Unique individuals are spatial creatures: we dwell, and we ought to get good at it. Yet this is an imaginative space that, if you are crazy enough to believe it, de-term-ine the conditions of its own terms. That is why we are not merely creating spaces on the acceleration of time, or so this ignoramus thinks, to accidentally transcend. Imagination already has this insatiable silence that we drink up and fail to manifest. Space is timeless. The imagination itself, shared by humans for themselves, their objects, and the species as a whole, is a non-defined space of relation; a whole human trajectory as part of nature, and part of worlds that are the other side of thinking nature, the consequence of it, at least our attempt to do so. Our survival is based on our deliberation, our caution, our natural deconstructive sense toward this silence that is already part of the song, sung, singing of this century without end. Good books will let us inhabit this space and recognize a form of life. Serres’ text moves toward dwelling, as noted, in masterful and accessible ways. The pitched battles are the falling replays of anemic and dead politics. As soon as we realize there is humanity, we may be able to enjoy the end of it, our inhuman capability of listening to silence. NOTES 1. See Michel Serres. The Parasite . Minneapolis: University of Minnesota Press. 2007. 2. Wallace Stevens, “Imagination as Value” [ca. 1945], in Collected Poetry and Prose . New York: The Library of America. 1997. 724-39. 3. Jean-François Lyotard. The Inhuman: Reflections on Time . Trans. Geoffrey Bennington & Rachel Bowlby. Stanford, CA: Stanford University Press. 1992. 4. See the introduction: Quentin Melliassoux. After Finitude: An Essay on the Necessity of Contingency . Trans. Ray Brassier. New York: Continuum. 2008. EDITOR'S NOTE: This review was updated on August 8, 2012. Substantial edits include block quotes from the book under review as well as the inclusion of comments from the author. (shrink)

Benadering van enkele klassieke filosofische kwesties vanuit een door de Angelsaksische taalfilosofie geïnspireerde visie op de zingevende rede.